Product information at 09/10/2026, 01:32
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345.00 €incl. VAT | incl. Shipping Cost
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Do you want to move freely on stage without a cumbersome instrument cable restricting your range of motion or affecting the natural sound of your violin, viola, or mandolin? The NUX B-11 Pro Wireless System for Violin & Viola 2.4 GHz Wireless Set offers you a modern, versatile, and convenient solution for wireless live performances and recording. The system combines a high-quality instrument microphone with digital wireless transmission, built-in effects, flexible connectivity options, and a well-designed magnetic charging system.
The NUX B-11 Pro was primarily developed for violin and viola. However, the included viola clamp opens up yet another interesting application: The mount is also ideal for numerous Gibson and Eastman mandolins. As a result, the wireless set is aimed not only at classical string players but also at musicians in folk, bluegrass, country, rock, and related genres.
The focus is on capturing the instrument’s sound as naturally and with as much detail as possible. The cardioid condenser instrument microphone specifically captures the sound and reduces unwanted side leakage. The 24-bit, 48 kHz digital transmission ensures high resolution, while the extremely low latency—starting at 3.6 milliseconds—supports a direct playing experience. This allows you to play your instrument through an amplifier, mixing console, or PA system with virtually no perceptible delay.
NUX develops electronic solutions for musicians who want to combine modern features with straightforward operation. The product line includes, among other things, effects units, amplifiers, drum and percussion products, and wireless transmission systems. The manufacturer places particular emphasis on practical features, compact designs, and versatile applications.
This approach is particularly evident in the NUX B-11 Pro Wireless System for Violin & Viola 2.4 GHz Wireless Set. The system is not limited to a simple wireless connection but combines wireless audio transmission with an integrated reverb effect, a boost function, various sound presets, a tuner, a mute function, and an effects loop. This allows the B-11 Pro to become the central component of a compact live setup.
For musicians, this means fewer separate devices, fewer cables, and a cleaner setup on stage. The system can be quickly set up, automatically paired, and controlled via the multifunctional footswitch. At the same time, the USB-C port can be used for audio recording, making the wireless set ideal for home studios, rehearsals, or mobile recording applications.
The NUX B-11 Pro is specifically tailored to the requirements of acoustic string instruments. Violins and violas pose special challenges when it comes to amplification, as their sound is very dynamic and contains many subtle overtones. An unsuitable pickup can quickly sound harsh, thin, or unnatural. The included condenser microphone, on the other hand, is designed to capture the sound in a detailed, balanced, and as authentic a way as possible.
It is mounted using a compatible instrument clip. The transmitter can be attached compactly to the instrument without the need for a long cable running all the way to the floor. This not only makes it easier to move around but also reduces the risk of stepping on a cable or getting tangled in it during a performance.
A particular advantage is the versatile viola clamp. It can also be an interesting solution for Gibson and Eastman mandolins. Since the designs and dimensions of individual instruments can vary, the specific fit of the clamp on the respective model should be carefully checked before use. For compatible instruments, however, the B-11 Pro enables elegant wireless pickup without requiring any permanent structural modifications to the instrument.
This flexibility makes the system particularly attractive for multi-instrumentalists. For example, if you play both the violin and the mandolin within a single performance, you can use a unified wireless and control system. Ensembles, theater productions, church musicians, folk bands, and acoustic groups also benefit from the system’s versatility.
The NUX B-11 Pro Wireless System for Violin & Viola 2.4 GHz Wireless Set transmits the audio signal digitally with a resolution of 24-bit and a sampling rate of 48 kHz. These specifications support detailed reproduction and provide sufficient dynamic range for the subtlest bowing nuances, powerful accents, and rapid changes in volume.
Precise transmission is especially important for the violin and viola. The sound is created not only by the pitch played, but also by bow pressure, bow speed, vibrato, and articulation. A good wireless system should convey these differences as faithfully as possible. The B-11 Pro’s high-resolution digital signal transmission is designed to reproduce the character of your instrument clearly and with nuance.
The specified frequency response of 20 Hz to 20 kHz comprehensively covers the audio range relevant for musical applications. This allows both the fundamental tones and the instrument’s characteristic overtones to be transmitted. The sound remains present, open, and rich in detail, without sacrificing the freedom of movement offered by a wireless system.
Excessive delay between the played note and its playback can affect timing and the feel of playing. Low latency is crucial, especially during fast passages, rhythmically precise ensemble playing, or when using in-ear monitoring. The NUX B-11 Pro operates with a latency starting at 3.6 milliseconds, enabling a very immediate playing experience.
You hear your signal almost immediately after striking a note or drawing the bow. This makes it easier to play in precise sync with other musicians and ensures that you feel confident even when playing fast melodies. In live performances, this low latency can make a significant difference, as your instrument’s signal and the acoustic feel of your playing remain closely aligned.
Low latency is also advantageous during recording. Whether you use the system as a USB audio solution or route the signal to an audio interface, you can play more naturally and don’t have to adjust as much to delayed playback.
Wireless transmission operates in the globally used 2.4-GHz ISM band. This frequency band can be used without a license in many countries, making it particularly suitable for musicians who want to use their equipment at different venues. However, various wireless devices may be operating in the 2.4-GHz range. These include, for example, Wi-Fi networks, Bluetooth products, or other wireless systems.
To ensure the most stable connection possible, the B-11 Pro uses an intelligent frequency-hopping method. The system can switch to suitable frequencies during operation and bypass areas with interference. This reduces the risk of interruptions or audible interference.
The specified range is up to 50 meters with a clear line of sight. For typical stage use, the ideal operating range is between approximately 10 and 35 meters. The actual achievable distance may depend on walls, people, metal structures, other radio sources, and the spatial conditions. Nevertheless, the system offers a generous range of movement for rehearsal rooms, clubs, concert halls, churches, theater stages, and many open-air applications.
Don’t want to spend time navigating through menus or setting up complicated radio channels before your performance? The NUX B-11 Pro’s transmitter and receiver are designed for a quick and convenient connection. Pairing occurs automatically and is completed in no time.
This straightforward operation is especially helpful in the hectic day-to-day of life on stage. You attach the transmitter to your instrument, turn on the system, and—once the connection is established—you can start the sound check. Even when switching instruments or setting up for rehearsals, the effort required to operate the system remains minimal.
The automatic connection system is ideal for both experienced stage technicians and musicians who manage their own setups. As a result, the wireless system integrates just as well into small acoustic performances as it does into larger-scale productions.
The sound is captured via a condenser instrument microphone with a cardioid polar pattern. This directionality focuses the microphone’s sensitivity on the area directly in front of the capsule. Sounds coming from the sides or rear are picked up to a lesser extent.
On a loud stage, this can help reduce crosstalk from monitor speakers, drums, guitar amplifiers, or other instruments. At the same time, the instrument’s natural sound is preserved because the sound is not picked up exclusively by a piezo pickup mounted directly on the bridge.
The redesigned, shock-absorbing microphone construction is intended to minimize unwanted body vibrations and mechanical noise. Especially with string instruments, movements, fingering noises, or resonances can affect the microphone recording. The decoupled design therefore supports clean and musically usable signal transmission.
Every instrument, every room, and every sound system sounds different. That’s why the NUX B-11 Pro offers various tone presets that let you adapt the sound character to the specific situation. You can choose from the Classical, Modern, Warm, and Custom settings.
The Classical preset is ideal for a natural, balanced fundamental tone and can serve as a suitable starting point, especially for classical or acoustic-oriented applications. The Modern preset delivers a more direct, prominent sound that cuts through well in a band or a denser arrangement.
The Warm setting allows you to adjust the sound to be softer and fuller. It can be helpful if the instrument sounds too bright or too sharp through a particular sound system. Custom mode offers additional flexibility for individual customization. This allows you to tailor the system to your instrument, your playing style, and the specific acoustic environment.
A dry microphone sound can come across as very direct through a PA system. That’s why the receiver features a built-in reverb effect. The reverb adds depth and spaciousness to the instrument without requiring a separate effects unit.
Especially with solo violin, classical pieces, ballads, or atmospheric arrangements, a subtle reverb can make the sound appear more natural and expansive. In acoustically dry rooms, the effect helps create a more pleasant sense of space.
You can conveniently control the reverb function using the multifunctional footswitch. This allows you to activate or deactivate the effect while playing, as needed. For example, you can use a dry sound during a pause in the performance and turn the reverb back on for the next piece of music.
Some musical sections require more presence. With the built-in boost function, you can highlight your instrument for solos, melody lines, or particularly important passages. Instead of having to adjust the volume on the mixing console, you can control the boost directly through the system.
This is especially handy when you’re switching between accompaniment and solo passages within an ensemble. With a single foot tap, your signal can step forward and cut through the overall mix more effectively. After the solo, you can return to the normal volume.
The Boost function transforms the B-11 Pro from a simple wireless system into a practical tool for shaping musical dynamics. You retain control over important volume changes and are less dependent on spontaneous adjustments by the sound engineer.
The built-in footswitch can be configured for various functions. These include mute, tuner, reverb, and other control options. This allows you to tailor the system to your personal workflow.
The mute function is particularly helpful when switching instruments, during breaks in playing, or while tuning. You can mute the output signal without having to operate the amplifier or mixing console channel separately. This prevents unwanted noise when you set down your instrument, adjust the mount, or reposition the transmitter.
With the built-in tuner, you can tune your instrument directly through the wireless system. This often eliminates the need for a separate tuner on the floor or on the music stand. Especially with fluctuating temperatures, longer performances, or sensitive stringed instruments, a quickly accessible tuning function is a valuable advantage.
The B-11 Pro features a send and return effects loop. This allows you to integrate external effects units into the signal path. If, for example, you want to use a delay, chorus, looper, or other sound effects in addition to the internal reverb, you can expand the system accordingly.
The effects loop is particularly appealing to experimental string players and mandolinists who want to combine their basic acoustic sound with modern effects. From subtle reverb and modulation effects to creative soundscapes, numerous applications are possible.
At the same time, the setup remains straightforward because the B-11 Pro can serve as the central connection between the instrument, the wireless system, effects, and the amplifier. This makes it suitable for both traditional and modern stage setups.
The NUX B-11 Pro can also be used for digital audio recording via the USB-C port. The system can be connected to a compatible computer or mobile device as a USB audio solution. This allows you to record your instrument without extensive additional setup.
This feature is handy for demo recordings, instructional videos, social media content, song ideas, or mobile recording sessions. You can route the wirelessly transmitted audio directly into compatible recording software and don’t necessarily need to use a separate audio interface.
The USB connection also offers significant added value for online lessons or rehearsal recordings. The system thus combines live performance and recording capabilities in a single compact device.
The transmitter attaches to the instrument via a compact magnetic mount. This allows it to be quickly attached and removed. The system was designed for convenient use, so you spend as little time as possible setting it up before and after a performance.
The charging concept is particularly well thought out. After use, the transmitter is simply placed on the receiver’s designated charging surface. Magnetic contacts position it correctly and start the charging process. This eliminates the need for a separate charging cable on the transmitter during normal operation.
This design reduces the effort required and helps ensure the transmitter is reliably charged between performances. You simply place it on the receiver after rehearsal or a concert, keeping both devices compactly in one place. This ease of use is a major advantage, especially for regular stage performances.
The transmitter offers up to 6.5 hours of operating time. This makes it suitable for many rehearsals, concerts, theater performances, and recording sessions. The receiver achieves up to 11 hours of runtime, providing ample reserves for longer performances.
Actual battery life may vary depending on usage, environment, battery age, and activated features. Nevertheless, the specified operating times are sufficient for many typical musical applications. Thanks to the magnetic charging system, the transmitter can be conveniently recharged between performances.
For musicians who perform frequently, this means fewer interruptions and less hassle with cables. You can focus on your instrument and your performance while the system ensures reliable wireless transmission.
The receiver measures 90.4 x 115.3 x 54.8 millimeters and weighs approximately 468 grams. This makes it compact enough for a pedalboard, yet it offers a stable base for foot operation. The controls and connections are arranged in a practical layout.
The transmitter (without a microphone) is particularly compact, measuring 44.6 x 55.5 x 18.1 millimeters. It weighs about 33 grams. Thanks to its small size, it places only minimal additional weight on the instrument. This is especially important for violins and violas, as a heavy or bulky design could interfere with the playing experience.
The combination of a compact transmitter and a floor-friendly receiver makes the system suitable for a variety of stage and rehearsal room situations. It can be stowed away for easy transport and set up without extensive cabling.
The NUX B-11 Pro Wireless System for Violin & viola 2.4 GHz wireless set is recommended for musicians looking for wireless instrument pickup with extensive additional features. The system not only offers freedom of movement but also high-resolution audio transmission, low latency, and intelligent wireless management.
A particularly compelling feature is the combination of a microphone, wireless system, reverb, boost, tone presets, tuner, mute function, and effects loop. Instead of piecing together multiple separate devices, you get a compact all-in-one solution for the stage, rehearsals, and recording.
The B-11 Pro’s versatile instrument compatibility is another major selling point. In addition to the violin and viola, the viola clamp can be used with compatible Gibson and Eastman mandolins. This makes the system suitable for classical string players as well as folk, bluegrass, and country musicians.
Are you looking for a wireless solution that’s ready to use as quickly as possible? Automatic pairing, the configurable footswitch, and the magnetic charging system make daily use a breeze. The transmitter can be securely attached to the instrument and charged directly on the receiver after use.
With a range of up to 50 meters with a clear line of sight, you can move freely on many stages. Intelligent frequency hopping ensures a stable connection, while latency as low as 3.6 milliseconds provides a natural playing experience. At the same time, 24-bit, 48 kHz transmission ensures a richly detailed sound.
The NUX B-11 Pro is therefore an attractive choice for live musicians, solo artists, ensembles, theater productions, music schools, and mobile recording applications. It combines modern wireless technology with features specifically tailored to the practical requirements of the violin, viola, and compatible mandolins.
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