RME ADI-2 DAC FS

RME ADI-2 DAC FS Product Details

Description

In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.
As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.

INFO: Modell with new ESS Chip. (ES9028Q2M)

Features:

• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts
• Standby power consumption: 120 mW (10 mA)
• Idle power consumption: 7 Watts, Max. power consumption: 18 Watts
• Idle current at 12 V: 570 mA (6.8 Watts)
• Dimensions (WxHxD): 215 x 52 x 150 mm (8.5" x 2.05" x 5.9")
• Weight: 1.0 kg ( 2.2 lbs)
• Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
• Relative humidity: < 75%, non condensing
• Clocks: Internal, SPDIF In
• Jitter suppression of external clocks: > 50 dB (2.4 kHz)
• Effective clock jitter influence on DA conversion: near zero
• PLL ensures zero dropout, even at more than 100 ns jitter
• Additional Digital Bitclock PLL for trouble-free varispeed ADAT operation
• Supported sample rates for external clocks: 44.1 kHz up to 192 kHz
• Internally supported sample rates: 44.1 kHz up to 768 kHz
• Digital Inputs
• General:
• Lock Range: 28 kHz – 200 kHz
• Jitter suppression: > 50 dB (2.4 kHz)
• Accepts Consumer and Professional format
• SPDIF coaxial:
• 1 x RCA, according to IEC 60958
• High-sensitivity input stage (< 0.3 Vpp)
• AES/EBU compatible (AES3-1992)
• SPDIF optical:
• 1 x optical, according to IEC 60958
• ADAT compatible
• Analog Outputs:
• XLR:
• Output level switchable +19 dBu, +13 dBu, +7 dBu, +1 dBu @ 0 dBFS
• Signal to Noise ratio (SNR) @ +7/+13/+19 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +1 dBu: 115,4 dB RMS unweighted, 118,9 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz
• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz
• Frequency response @ 384 kHz, -1 dB: 0 Hz – 115 kHz
• Frequency response @ 768 kHz, -3 dB: 0 Hz – 109 kHz
• THD @ -1 dBFS: -112 dB, 0.00025 %
• THD+N @ -1 dBFS: -110 dB, 0.00032 %
• THD @ -3 dBFS: -116 dB, 0.00016 %
• Channel separation: > 120 dB
• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced
• Chinch:
• As output XLR, but:
• Output: 6.3 mm TS jack, unbalanced
• Output level 6 dB lower than XLR (-5 dBu to +13 dBu @ 0 dBFS)
• Signal to Noise ratio (SNR) @ +13 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +1/+7 dBu: 114/116 dB RMS unweighted, 117/119 dBA
• Signal to Noise ratio (SNR) @ -5 dBu: 109 dB RMS unweighted, 113 dBA
• Phones:
• As Cinch but:
• Output: 6.3 mm TRS jack, unbalanced, stereo
• Output impedance: 0.1 Ohm
• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +7 dBu: 116 dB RMS unweighted, 119 dBA
• Output level at 0 dBFS, High Power, load 100 Ohm or up: +22 dBu (10 V)
• Output level at 0 dBFS, Low Power, load 8 Ohm or up: +7 dBu (1.73 V)
• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %
• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %
• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB, 0.0003 %
• Max power @ 0.001% THD: 1.5 W per channel
• IEM:
• As Phones, but:
• Output level at 0 dBFS: -3 dBu, 0.55 V
• Signal to Noise ratio (SNR) @ -3 dBu: 115 dB RMS unweighted, 118 dBA
• Max power, 8 Ohm, 0.001% THD: 40 mW per channel