Product information at 25/09/2026, 08:56
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4.90 €incl. VAT | plus Shipping Cost
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Are you looking for a MIDI cable that won’t get in the way in a modern setup, but will make your routing cleaner, more secure, and easier to manage? Especially when multiple devices are placed close together or you need to set up and break down quickly during a live performance, standard round cables can be a nuisance: they twist, stick out, press against jacks, or form loops. The RockBoard Flat Cable 3.5 mm Stereo Jack to MIDI Type B, 0.6 m is designed precisely for such situations—flat, compact, and consistently engineered for practical cable management.
At 60 cm long, it offers noticeably more leeway than ultra-short connections, yet remains short enough to prevent cable clutter. This allows you to conveniently connect desktop synths, grooveboxes, MIDI controllers, or compact effects units—without the cabling becoming a tripping hazard. And because more and more manufacturers are adopting 3.5 mm TRS MIDI, a high-quality, correctly wired cable like this one is often the simplest solution for everyday use.
RockBoard is known for accessories that don’t just “work somehow,” but solve real problems musicians face every day: lack of space, tangled cables, mechanical stress on plugs and jacks, or the typical question, “Why is this cable twisting again?” The focus is on durable materials, practical design, and performance that impresses both in the studio and on stage.
The RockBoard Flat Cable 3.5 mm Stereo Jack to MIDI Type B 0.6 m fits perfectly into this concept. It combines proven DIN-MIDI technology with the 3.5 mm TRS interface commonly used today, featuring a design that’s particularly easy to route. The result is a cable that not only connects you but also keeps things organized.
The RockBoard Flat Cable 3.5 mm Stereo Jack to MIDI Type B 0.6 m is a flat TRS-to-MIDI cable with a rectangular cross-section. This construction is more than just a design feature: it helps route the cable tightly along edges, under equipment, or on pedalboards. The cable lies “flatter,” twists less, and is easier to keep in the desired position.
The classification is important for functionality: TRS-MIDI Type B. This is because not all TRS-MIDI cables are the same. Depending on the manufacturer, either Type A or Type B is used—and if the pin assignment doesn’t match, no MIDI signal will be transmitted. This cable is specifically designed as Type B and is therefore compatible with numerous devices that use this exact standard.
The pin assignment is clearly defined and correctly implemented for Type B:
MIDI 4 (Source) – TRS Tip
MIDI 5 (Sink) – TRS Ring
MIDI 2 (Shield) – TRS Sleeve
MIDI 1 and MIDI 3 – not connected
This pin assignment is crucial for reliably transmitting MIDI data. Especially in setups with many power supplies, audio cables, and densely packed electronics, you’ll benefit from clean shielding and proper contact. This reduces susceptibility to interference and ensures that clock, notes, CCs, or program changes arrive reliably where they’re supposed to.
The connectors are also designed for practical use: On one end is a compact, straight 5-pin DIN MIDI connector. On the other end is a flat 3.5 mm stereo angled jack (TRS). The angled plug offers a major advantage when the TRS MIDI port is located on the side or top of the device: it reduces leverage, protrudes less, and relieves strain on the jack—especially when devices are placed close together or cables must be routed to the back or side.
The length of 60 cm is a real sweet spot: it’s often long enough to comfortably connect two devices on a table, in a small rack, or on a performance stand. At the same time, the cable remains short enough to avoid creating unnecessary loops. This not only makes your setup look neater, but also speeds up setup—an advantage you’ll immediately appreciate, especially during live performances.
The flat, rectangular cable was also designed to prevent cable breaks and kinks. Round cables twist more easily around their own axis, which can lead to tension and kinking at vulnerable points. The RockBoard design reduces these typical movements, which has a positive long-term effect on durability.
Visually, the cable is intentionally unobtrusive: The black version fits in with nearly any setup—from a minimalist desktop station to a fully equipped live rig.
The RockBoard Flat Cable 3.5mm Stereo Jack to MIDI Type B 0.6m is ideal if you need short—but not ultra-short—connections. Maybe your groovebox isn’t right next to your synth, or your controller is mounted on a second level of your stand. This is exactly where the extra length comes into its own: you gain flexibility without ending up with unnecessary excess cable.
If you use devices that employ TRS-MIDI Type B, this cable provides a direct plug-and-play connection—no chain of adapters and no guesswork. It’s also particularly handy in setups where the 3.5 mm jack is awkwardly placed: The angled plug keeps the cable closer to the device, reducing the risk of it getting caught or becoming taut.
If organization, durability, and professional cable management are important to you, the flat design offers real added value. The cable can be routed neatly, tends to stay where you place it, and ensures that your setup not only works but also looks “tidy.” And that’s often the difference between a setup you’re reluctant to touch and one you’re happy to expand at any time.
This cable is also a safe choice for live performers: less twisting, fewer protruding connectors, and faster setup. For studio use, this means less chaos, a better overview, and a setup that doesn’t constantly require fine-tuning of the cabling.
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