Podcast & Streaming Equipment | Musikhaus Korn

For a solo podcast, a computer, suitable USB microphone, headphones and recording software can be enough. A microphone arm or desktop stand makes positioning easier. An XLR microphone additionally requires an audio interface or suitable mixer.

USB is particularly simple and compact. XLR is more flexible if you want to use different microphones, record several people or replace interfaces and mixers independently later.

A dynamic microphone used at a short speaking distance can be practical in an untreated room. Regardless of the microphone type, distance, positioning and room design remain decisive.

Ideally, each person has an individual microphone. This allows gain, tone and post-production to be controlled independently for both voices.

Loopback makes it possible to route audio from the computer together with the microphone to a recording or streaming application. This is useful for music, videos, game sound and remote guests from software applications.

It becomes particularly useful with several speakers, computer or phone guests, sound pads and multiple headphone paths. For one speaker, a USB microphone or small interface may remain simpler.

Closed-back headphones are especially practical because less headphone playback escapes into the microphone during the recording.

A pop filter can reduce strong bursts of air caused by P and B sounds. Some broadcast microphones already include internal wind or pop protection, while other microphones benefit from an additional filter.

Move the microphone closer, keep the distance consistent, reduce reflections from the desk and walls and remove noise sources such as computer fans or open windows. These changes can have a greater effect than changing the microphone.

A good webcam is sufficient for a straightforward start. A suitable HDMI camera can be connected through a capture interface when more control over lenses and image design is required.

Even lighting can noticeably improve picture quality because the camera has to apply less electronic gain. Position and quality of light are generally more important than maximum brightness.

Frequently used functions such as microphone mute, scene changes, media playback and recording can be assigned to dedicated controllers or foot pedals, keeping live operation clearer.