Yamaha LS 9-16 Digitalpult

At live events, digital technology has come of age, and there's no turning back. Meanwhile, even the most demanding sound engineers use the audio digital mixing and secure in this way massive advantages in terms of sound quality, efficiency and economy. If you're planning to upgrade a small or medium-scale analog system, there are many very good reasons to go digital. And two very good reasons indeed LS9-16 and LS9-32. Both digital consoles have an absolutely sophisticated and modern technology in their class in terms of performance of other consoles can not be surpassed easily. Your every detail thought out operation makes even die-hard analogue users who are otherwise firmly rooted with their technology, no problems. Here, the brackets are remarkably compact and lightweight. Even the LS9-32 can be tucked under an arm and moved comfortably from place to place. Try doing that with a 32-channel analog console - to say nothing of outboard gear that would equal the functionality of these digital mixers. Both LS9-16 and LS9-32 are able to grow with your needs. Both consoles have a second set of computing power to process for another 16 or 32 audio inputs from digital sources and additional external preamplifiers - and no compromises on features or quality. And then there's the awesome sound quality: from the venerable PM1D to the smallest model in the series, it is also the outstanding sound of the Yamaha digital consoles, the pros for years convinced to use the mixer for demanding live sound applications around the globe.

Owing to its surprisingly small size and lightweight of the LS9-16 ideal for applications that require maximum portability and handling ease. Perfectly suited to mobile, one-time or temporary events, the panel on the performance of much larger and more complex systems - although this is an extremely compact device is, which can be installed anywhere easily and operated.

With 32 input head amps the LS9-32 easily handles very complex and multi-stage applications. But if it is particularly challenging for large events but still may be a little more, it is very reassuring to know that the panel can via external preamps and Mini-YGDAI cards expand to 64 channels. Whether you use it mobile or stationary: The console reached at his incredibly small size, ease the power and flexibility of large-scale systems at significantly lower cost.

Suppose you need a compact console, but also graphic equalizer for FOH and monitor, a couple of effect processors for reverb and delay, compressors, gates, a 2-Spur-Spieler/Rekorder for background music and reference recording ... - would be well, because They actually already arrived at a rack full of equipment. Here, the requirements described here are quite spartan for a decent sound system. And think for a short time to transport and set up the entire device (not to mention the cables you need). And now you add the cost of the equipment itself, the transport for the staff, maintenance and storage costs, etc. Now imagine a console that all this and more fulfilled, and built it into a standard rack fit and weighs just 12kg. Exactly, an LS9-16 corresponds precisely this description!

The entire panel was vorverpatcht and tested in production through its paces. So you need only the microphones to the inputs and connect the speakers to the outputs and are immediately ready for soundcheck. You can expand the console via Yamaha mini-YGDAI expansion system for up to 32 channels, without that it takes much more room.

The advantages of tours or temporary events are already on hand, but also permanently designed facilities, where the console is installed, you will benefit from the enormous space savings and the fact that far fewer cables are needed. And of course everybody, even the audience to take advantage of its unparalleled flexibility and the fantastic sound, to deliver this extraordinary digital consoles.

As an internal

Specs:

• Type: Mixer
• Theme: Recording and Studio

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